Jazz Greats: The First Fifty

About once a week over the past year I have profiled jazz albums from different artists to provide an admittedly personal and idiosyncratic Top 50 (in no particular order).  My choices were driven in large part by my preference for relatively straight-ahead jazz from the swing and bebop eras, and especially the music from the mid-1950s/early 1960s that evolved from bebop and became known as hard bop.  There are obviously many glaring omissions, but hopefully some pleasant surprises too.

Below are links to the complete list.  Take a look and let me know the artists and albums you think I've missed.

 #1 (Hank Mobley), #2 (Horace Silver), #3 (Sonny Rollins), #4 (Sonny Clark), #5 (Dexter Gordon), #6 (Cannonball Adderley); #7 (Bill Evans), #8 (McCoy Tyner), #9 (Clifford Brown), #10 (Sinatra), #11 (Monk), #12 (Kenny Dorham), #13 (Coltrane), #14 (Duke Ellington), #15 (Miles Davis), #16 (Wayne Shorter), #17 (Dinah Washington); #18 (Sarah Vaughan); #19 (Stan Getz); #20 (Blue Mitchell); #21 (Gene Ammons); #22 (Art Blakey and the Jazz Messengers); #23 (Red Garland); #24 (Ella Fitzgerald); #25 (Charlie Parker); #26 (Art Pepper); #27 (Bud Powell); #28 (John Hicks); #29 (Kenny Barron); #30 (Coleman Hawkins); #31 (Count Basie);  #32 (Benny Carter w/ Ben Webster and Barney Bigard); #33 (Chet Baker); #34 (Thad  Jones); #35 (The Great Jazz Trio); #36 (Ahmad Jamal); #37 (Dave Brubeck and Paul Desmond); #38 (Johnny Griffin and Eddie "Lockjaw" Davis); #39 (Charles McPherson);  #40 (Harold Land); #41 Booker Little); #42 (Elis Regina & Antonio Carlos Jobim); #43 (Art Farmer & Benny Golson); #44 (Wynton Kelly); #45 (Tony Bennett/Bill Evans; # 46 (Barry Harris); #47 (Elmo Hope)]; #48 (Mel Torme); #49 (Miles Davis All Stars); #50 (Oscar Peterson)