Great Jazz Albums (IMO) #45

Tony Bennett and Bill Evans.  The Tony Bennett/Bill Evans Album (1975).  Every Bill Evans recording is worthwhile and worth savoring.  One that is particularly enjoyable is the album he did with Tony Bennett.  Evans' "sensitivity, touch, and deep harmonic wisdom" worked perfectly with Bennett's inspired interpretations of jazz standards.  Although not technically a jazz singer, Bennett more than holds his own on what is really more a series of duets rather than a singer with an accompanist.   There is no band or rhythm section, so it is just these two remarkable artists playing off each other.  Not a clunker in the bunch, but highlights include Some Other Time, When In Rome, But Beautiful, My Foolish Heart and the Evan's composition Waltz for Debby.

[Related posts:  Great Jazz Albums  #1 (Hank Mobley), #2 (Horace Silver), #3 (Sonny Rollins), #4 (Sonny Clark), #5 (Dexter Gordon), #6 (Cannonball Adderley); #7 (Bill Evans), #8 (McCoy Tyner), #9 (Clifford Brown), #10 (Sinatra), #11 (Monk), #12 (Kenny Dorham), #13 (Coltrane), #14 (Duke Ellington), #15 (Miles Davis), #16 (Wayne Shorter), #17 (Dinah Washington); #18 (Sarah Vaughan); #19 (Stan Getz); #20 (Blue Mitchell); #21 (Gene Ammons); #22 (Art Blakey and the Jazz Messengers); #23 (Red Garland); #24 (Ella Fitzgerald); #25 (Charlie Parker); #26 (Art Pepper); #27 (Bud Powell); #28 (John Hicks); #29 (Kenny Barron); #30 (Coleman Hawkins); #31 (Count Basie);  #32 (Benny Carter w/ Ben Webster and Barney Bigard); #33 (Chet Baker); #34 (Thad  Jones); #35 (The Great Jazz Trio); #36 (Ahmad Jamal); #37 (Dave Brubeck and Paul Desmond); #38 (Johnny Griffin and Eddie "Lockjaw" Davis); #39 (Charles McPherson);
 #40 (Harold Land); #41 Booker Little); #42 (Elis Regina & Antonio Carlos Jobim); #43 (Art Farmer & Benny Golson); #44 (Wynton Kelly)]