Madea's Witness Protection is a 2012 American comedy film directed, written, and produced by Tyler Perry. This was the fourteenth film in the Tyler Perry film franchise and the seventh in the Madea franchise. It is the fourth Tyler Perry film not adapted from a play, alongside The Family That Preys, Daddy's Little Girls, and Good Deeds, as well as the first Madea film not adapted from a play.
George Needleman (Levy), a high level CFO in New York City, promises his son that he will take him to his Saturday afternoon baseball game after he gets back from the office. He gets to his office and arrives to a harrowing scene; his co-workers are shredding documents and are in a state of chaos. He sees his boss (Arnold), who informs him that his company is a Ponzi scheme run by the mob. He is being accused of spearheading the scheme and laundering funds and has to enter his family into a witness protection program. The program relocates them to a refuge where no one will think to look for them: Madea and Joe's house in Georgia.
Meanwhile, Jake (Miller) - whose ailing father (Amos) is a church pastor who has put him in charge of the church's mortgage fund - stages a robbery (which is unsuccessful). Jake, who has a criminal past but whose father trusts that he has turned over a new leaf, is trying to recover church funds that he has invested in Needleman's company without his father's knowledge or consent, only to lose the entire investment in the Ponzi scheme.
The Needhams' first meeting with Madea and joe is awkward and bodes poorly for how everyone will get along. However, over time, Madea (Perry) helps Kate (Richards) and Cindy (Campbell) relate better to each other and to other family members, while Joe (Perry) and Kate help George become more confident, more in touch with his surroundings and people around him, and more effective in channeling his emotions.
Barbara (Roberts) displays dual sensibilities about "colored people". On one hand, she mistakes Madea for a domestic named Sadie, treats "Sadie" imperiously, and threatens to get her fired. On the other hand, she recognizes Joe as a man she slept with years ago, and relates to him seductively; she also enjoys Negro spirituals and repeatedly asks to be taken to the African American church down the street from Madea's house.
Pastor Nelson's sermon inspires George to recognize a pattern in his company's records that explains where 10% of the stolen funds have been stashed. After church, watching Whoopi Goldberg's Oda Mae Brown character in Ghost inspires George to involve Madea in a plan to redivert funds from the "stashed" accounts back to the charities whose investments were stolen in the Ponzi scheme. The plan requires George (who disguises himself to avoid detection by the Malone mob "family"), Jake, and Madea (who assumes the identity of an upscale woman named Precious Jackson) to travel to New York City, and for "Precious" to meet with a bank manager to transfer funds from the laundered accounts to the legitimate charities. Madea successfully accomplishes her mission, although she improvises both an expansion of her assumed identity (by pretending to be the oldest Jackson sister) and of the accounts to which "Precious's" funds are transferred.
When George and Jake begin to share their plan with Brian (Perry), he cuts them off and advises them it is illegal. However, after they pull off the caper, Brian informs George that his cooperation with the authorities and his successful efforts to return the charities' funds have given Brian leverage to sentence George to probation and waive a trial and jail time.
Kate points out to Brian that the situation has strengthened their relationship and their family, and that it is a blessing in disguise. Upon leaving Madea's house, Cindy and Howie ask if they can come back to visit.
Before returning to New York, the Needhams visit Pastor Nelson's church one last time. The Pastor and Jake burn the mortgage papers and the entire congregation celebrates the mortgage's being paid off, and the Needhams enjoy the Negro spirituals. Madea also enjoys the spiritual music from her front porch, albeit in a more secular way.
Showing posts with label comedy. Show all posts
Showing posts with label comedy. Show all posts
Monday, July 23, 2012
Saturday, November 28, 2009
Fat Bitch
I promise a much better review when I get time to write it up, but for Chicagoans, TONIGHT is the last night to catch Erica Watson and you had better not miss her. Last night I got to watch an amazing show. Watson is genius at critiquing our weight & beauty-obsessed society (as she says, ugly fat bitches who lose weight just turn into ugly skinny bitches) as well as patriarchy. OK, she doesn't use the word patriarchy and that is where her genius lies.
Watson is able to do what PhD students do in an entire thesis, but she makes you laugh the entire time and without academic speak. For someone who flunked out of UIUC with Ds and Fs, she should type up that routine and get handed the PhD. Dr. Fat Bitch!
And her use of the word bitch is partially empowering, partially not so much. But it's used well.
While the audience was overwhelmingly African-American, us lighter skinned peeps were laughing just as loud with the jokes. She critiques race issues without resorting to stereotypes like other comics.
TONIGHT's show has many specials attached:
1. Two for one tickets at the box office. That's two people for $15. Can't beat that deal in Chicago!
2. There will be a raffle for a pair of Bulls tickets versus the Charlotte Bobcats - 6 tickets for $5 was last night's prices.
3. The after-party is at Funky Buddha!
Seriously, if you can make this show, do it.
I got to see if on a media pass after Watson's agent contacted me after a friend in NYC sent her to me. But if I didn't almost pee my pants from laughing so hard, I would NOT tell you to go.
I do have to warn you that the Chicago Center for the Performing Arts had some major heating problems last night. Wear an extra sweater if you want to take off your coat. It was COLD in there last night.
Erica Watson's Fat Bitch is playing at:
Chicago Center for the Performing Arts, 777 N. Green St., Chicago (handicapped access)
Some street parking one block west of Halsted (off Chicago Ave.)
$8 parking lot directly across Green Street next to Thalia restaurant
CTA Buses - #66 Chicago and #8 Halsted. CTA El - Red Line Chicago/State; Brown Line
Chicago/Franklin; Blue Line Chicago/Milwaukee/Ogden
Some street parking one block west of Halsted (off Chicago Ave.)
$8 parking lot directly across Green Street next to Thalia restaurant
CTA Buses - #66 Chicago and #8 Halsted. CTA El - Red Line Chicago/State; Brown Line
Chicago/Franklin; Blue Line Chicago/Milwaukee/Ogden
Subscribe to:
Posts (Atom)
